Nigel Sifantus » Studio Recordings

Progtronica presents: “Twisted Digits”

Nigel — Mon, 24 Jan 2011 23:13:41 +0000

I’ve never liked the modern emergence of “sub-genres”, the incessant need these days to boil down each kind of music into dozens of sub-categories. I have found that, although it provides a decent description of the sound of the music, rarely can music be so pigeonholed as to be put into a place that is so pre-defined. It also leads music fans to gravitate towards more music similar to what they already have heard rather than expanding their sonic horizons. I would never be the player I am today if I had this kind of mentality towards music “I like hard house but not deep house”. My approach through Progtronica is to take all of my influences and boil them into one succinct concept. Other than the basic forms of “electronic dance music” I have always has a secret love of progressive “math rock” and have played some form of that kind of music in many of my bands over the years. I had been looking for a way to do a tribute to this affinity in a Progtronica performance (mainly for my own self pleasure) since the beginning of the project. I can play a little guitar but mostly for making weird sonic feedback textures but then I found a secret weapon: the iPhone pocket guitar combined with Ableton Live 8’s new “Amp” and “Cabinet” effects. So I made this little ditty, switching from 7/8 to 6/8 with interweaving Don Caballero/King Crimson guitar lines all remixed live while playing the drums. This is a little bit different then my other recent videos but I like how it turned out and I’m sure you won’t find anyone using Ableton quite this way anywhere else.

Dj’ing from behind the drums Part 1

Nigel — Wed, 15 Dec 2010 01:36:56 +0000

Although there was some live drumming on the recent Progtronica EP, for the most part I have focused my recording and performance techniques on live “re-mixing” of my own material. Drum wise my approach has been to record myself, often in several layers, playing live. Then take parts of the recording and slice, alter, and map out the different rhythms in Ableton in such a way so that I can be freed up to manipulate not only the drum parts, but all of the sonic textures to the fullest to create a constantly evolving sound. The beauty of performing with this technique is how much I can do live with a minimal amount of equipment. Having been a touring drummer for years, the idea of performing live with just a backpack of gear is truly an amazing prospect.

I haven’t forgotten about the drums though. The drum stool is the place where I feel most musically comfortable and my original Progtronica intention was to be more of a “drumming DJ” mixing the music while playing the rhythm parts mostly live giving a much needed human element to the machine dominated genre of electronica in all its forms. Production and performance wise it is all a give and take, more overall control of the sound or more rhythmic spontaneity.

The last couple of months have been dedicated to Progtronica as the digital live re-mix DJ, this is the re-introduction of Progtronica as the “Futuristic One Man Drum Ninja Band”.

I write a song…”For Soul”

Nigel — Fri, 10 Dec 2010 06:15:03 +0000

For the past year since I’ve been on this Progtronica quest, I’ve had the compositional approach of beginning with the idea of “What if I did this?” A lot of great music has been written with this type of inspiration, trying to figure out something one doesn’t know and then making a musical statement out of the trial and discovery. This has been especially true for me with computer based music as there is always so much to learn and infinite ways to approach the same ideas. Ableton Live as a program exacerbates this even further with the flexibility of the compositional, programming and performing platform. Everyone does things differently, often producing similar results.

For this track however, I set about writing a simple house tune stringing a few chords together as more of a keyboard exercise, getting back in touch with a little of my music theory roots. After a while I liked what I was playing and tracked the simplest part of the track. Then the magic of the arpeggiator kicked in and I started applying all of the usual techniques I have been working on, slicing, dicing, mixing, and remixing and finally performing. In the end it has a different sound than most of what I’ve been doing while keeping the same Progtronica characteristics.

Many thanks to the people at Matrixsynth.com and especially Synthtopia.com who made it their “Sunday Synth Jam”, writing a nice introduction to the video. Props to all who link and anything I do.

The debut Progtronica EP “Live For No One” is out and available for free preview!

Nigel — Sat, 23 Oct 2010 19:01:49 +0000

The time has finally come. The long awaited Progronica debut Ep has been officially released. In the coming weeks it will be available for all to purchase on iTunes, Amazon, Rhapsody, Napster, and a host of other sites. In the meantime, I’m offering to preview and download for free the entire album. Check it out, pass it along, and watch out for the live Progtronica show coming to a venue near you.

"From 10 to 11"- Featuring Jubei (L Maestro Remix) Music Video

Nigel — Tue, 01 Sep 2009 17:15:59 +0000

This is the brand new video for my new song “From 10 to 11″ featuring Jubei on vocals (of L Maestro Presents). I recorded mixed and edited all the music as well as shooting and editing the video itself. The drum beats are all cut up clips from my own drum breaks mashed up into crazy time signatures. You can also find samples from the Cell Theory’s recent album ‘Memory is Energy,” and lots of other strange warped sounds. The results are something a little different then what you’ve yet seen or heard, and something brand new for me.