January 24, 2011
I’ve never liked the modern emergence of “sub-genres”, the incessant need these days to boil down each kind of music into dozens of sub-categories. I have found that, although it provides a decent description of the sound of the music, rarely can music be so pigeonholed as to be put into a place that is [...]
Read full postJanuary 14, 2011
2011 is upon us and I couldn’t be happier about it. Don’t get me wrong, 2010 was far from a bad year, but the challenges, distractions, and relentless work load has lead to a perfect time for a reboot. Despite this need, I am very proud of where things have gone for Progtronica in the [...]
Read full postDecember 16, 2010
After doing the last track/video “Taste of Blue” introducing my new technique of launching clips and scenes in Ableton live using the Novation Launchpad while playing the drum part live, it opened my mind of the many different types of sounds and styles I could tackle using the same basic setup. I had the idea [...]
Read full postDecember 14, 2010
Although there was some live drumming on the recent Progtronica EP, for the most part I have focused my recording and performance techniques on live “re-mixing” of my own material. Drum wise my approach has been to record myself, often in several layers, playing live. Then take parts of the recording and slice, alter, and [...]
Read full postDecember 9, 2010
For the past year since I’ve been on this Progtronica quest, I’ve had the compositional approach of beginning with the idea of “What if I did this?” A lot of great music has been written with this type of inspiration, trying to figure out something one doesn’t know and then making a musical statement out [...]
Read full postNovember 29, 2010
After doing all the post production, polishing, and arraigning of all other logistical details for the release of the “Live For No One” EP, I’ve gotten back to exploring new production and performance techniques in Ableton Live. The most crucial of all of these has turned out the be the “sidechaining” of certain effects from [...]
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